It's updated daily. £12 My respect for Heather's music insights is high as she does a superb job of articulating her impression of a given release with this Divide And Exit as no exception. Sleaford Mods Eton Alive (Extreme Eating) 8/10. Williamson has had a few attempts at getting somewhere in music before. Sleaford Mods, arguably the UK's most exciting and popular garage rock unit, follow up the acclaimed 'Austerity Dogs' with 14 top shelf songs on 'Divide and Exit' for Steve Underwood's legendary Harbinger Sound. Reviews of Divide And Exit by Sleaford Mods, Album number seven from the Nottingham electro-punk duo . The soundtrack to austerity! ... Sleaford Mods – ‘Divide And Exit’ ... and Sleaford Mods were born. The poets laureate of the council estates! ... As several reviews have picked up, ... Divide and Exit Sleaford Mods. Inciteful … Nottingham duo Sleaford Mods. Sleaford Mods arm their brash, aggressive secondwave punk sound with vicious and profane barbed-wire raps and gruff, repetitive choruses. Divide and Exit is nasty as fuck, overloaded with attitude, clever, funny and it screams the truth. Some of the acts regularly mentioned in the same breath as Sleaford Mods include the Streets, the Fall, and English punk-poet John Cooper Clarke. Vocalist Jason Williamson is the catalyst for the flood of complaints on Divide and Exit. Divide and Exit review – Sleaford Mods excel in creative obscenity (Harbinger Sounds) Phil Mongredien. Sleaford Mods - All That Glue White Double Vinyl. They’ve got all of two gears; mad, and really fucking mad. Sleaford Mods - All That Glue Double Vinyl. Sleaford Mods - Spare Ribs Green Vinyl. You can almost feel Williamson’s skin prickling in the places he goes to in these songs, some of which are outlined in unrelentingly grim terms. There are no half-measures, no stylistic arcs, no organic steps taken, no time at all to let it sink in and decide if this is something you might like. Instead, Divide and Exit is about as punk as punk gets in 2014. 25 November 2020. Williamson sounds charged, wired, determined to make one last go of things, simultaneously expressing his frustration at the helplessness of it all and finding his words taking him somewhere beyond his current predicament—a juxtaposition that could have fascinating implications for this band’s future. Discover releases, reviews, credits, songs, and more about Sleaford Mods - Divide And Exit at Discogs. It might sound unlikely, but a man who frequently references toilet habits in songs has become one of the most sharp and funny chroniclers of his country's widespread slump into disillusionment. Hello. The Grantham, England, duo Sleaford Mods newest album, Divide and Exit, is about as punk as punk gets in 2014: Singer Jason Williamson speed-talks bile while Andrew Fearn provides coarse backing tracks, which barely get beyond cheap plastic keyboard presets. Album Divide and Exit. A recent tweet from Sleaford Mods succinctly sums up both the position they find themselves in and the feeling they reflect in their music: “This is our time.”. Here's how it works: The Recent Releases chart brings together critical reaction to new albums from more than 50 sources worldwide. £12 Reviews. Sleaford Mods - Divide And Exit Blue Vinyl. … They’re so poor, so lacking in laughs, that they resemble the kind of forced-grin jollity people put on when they’re at an absolute low, scrambling around for something, anything, to get them through the day. I t would be easy to go overboard about Sleaford Mods – here at last is … £22. Sleaford Mods - All That Glue CD. Genres: Post-Punk, Art Punk. Sleaford Mods - All That Glue CD. It took Sleaford Mods nearly eight years to make their breakthrough album, but what a breakthrough: Divide and Exit doesn't just build on the momentum Jason Williamson and Andrew Fearn began with 2013's Austerity Dogs, it kicks down the door and announces Sleaford Mods as one of the most truly punk outfits of the 2010s. The crude nature of this music as a mode of overall expression, whether it’s in the unrelenting use of swearing or in Fearn’s cloddish rhythms, might be the most powerful tool this band has at its disposal, particularly in terms of making a connection to a bigger audience. £20. They’re a duo from Grantham in England, a place most famous for being the birthplace of former Prime Minister Margaret Thatcher. Heather Phares of All Music closed her review with this- "Divide and Exit is the brilliantly blunt gut-punch that began a momentous year for Sleaford Mods." Sleaford Mods. All I could think of when I heard them, however, was that they were a rap group. Divide and Exit, an Album by Sleaford Mods. £20. Like the rest of ‘Divide and Exit’ it’s brilliant, stimulating, terrifying, without question the kick in the bollocks music needs. £18. Read honest and unbiased product reviews from our users. HARBINGER121CD; CD). Sleaford Mods: Divide And Exit ‎ (LP, Album, RP, Red) Harbinger Sound: HARBINGER121: UK: 2015: Sell This Version: Recommendations Reviews Add Review [r5769005] Release. Released 28 April 2014 on Harbinger (catalog no. You get the final word. £20. Find helpful customer reviews and review ratings for Divide And Exit at Amazon.com. 10 reviews » Divide And Exit by Sleaford Mods is the follow-up to their breakthrough compilation album, Austerity Dogs. The album received positive reviews from Pitchfork and The Guardian, who named it … Where Sleaford Mods take their wonderfully foul-mouthed antagonism from here is anyone’s guess, but it scarcely matters when they’re so vividly depicting the now. “I used to be in bands, fuckin’ hated it” is the slogan on Sleaford Mods’ Bandcamp page. George’s flag twat,” he growls). But the humour in Sleaford Mods isn't inclusive; it's bracing and horrific. Genres: Post-Punk, Art Punk, Spoken Word. ... working my way through sleaford mods back catalogue. Even the jokes and puns Williamson scatters through his songs form a particular function if you can dig past them as surface level chatter. Divide And Exit sees Sleaford Mods once again released on the elusive Nottingham-based low-profile Harbinger Sound label. Live Reviews. Produced by Sleaford Mods. Williamson has declared an admiration for the kitchen sink drama of Alan Sillitoe’s Saturday Night and Sunday Morning, and his ceaseless depiction of a life marred by petty violence, discontent, and resentment resembles the work of filmmaker Alan Clarke, whose Scum and Made in Britain are chilling depictions of societal outcasts whose lives are caught in utter stasis. The best example are tracks such as “Strike Force” and “Keep Out of It” that juxtapose Williamson’s rage in the verses with catchy hooks. Any decent music? Words by Fergal Kinney. The rhythms are sometimes lithe, sometimes chugging, and littered with strange slivers of tunes that bring just enough fresh air to the record to stop it becoming bleak rhetoric. There are traces of those artists here, but only dim ones in the overall picture. The blues, the Streets, the Fall: the truth is that Sleaford Mods sound like Sleaford Mods. 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